Materials, Supplies
and Equipment:
Acrylic Gesso
White Glue
Acrylic Medium and or Matte Varnish
Stiff board panel for background
(Canvas Panel, or Masonite primed
with Gesso) Canvas panels are fine, and often are pre-primed.
with Gesso) Canvas panels are fine, and often are pre-primed.
Soft Acrylic bristle brush- ½ inch
to wider. Paint pads are also useful.
Keep brushes in water or work dish detergent into the bristles
so they will not harden from acrylic residue.
Jar with water. A jar with large
lid- the lid can be used as a palette for
mixing acrylic pigments, and helps keep paint moist.
mixing acrylic pigments, and helps keep paint moist.
A water bottle with a fine spray mist to keep paper wet while working.
A ruler
Collected Papers
Scissors, regular, or with decorative
edges
Exacto knife
Roller or Brayer to press the paper tightly to the surface or background.
Acrylic paints and pigments
Approaches. When you
start to work, think of these approaches:
Cut out or
tear out large shapes and move them around on the background.
Select
images of pleasing colors and value ranges to lay next to each other.
Use varied
sizes of shapes when placing on the foundation or background.
Cut a
recognizable image into geometric shapes, and alter the positioning.
Glue over a
colored ground, a white or a black ground. Leave spaces between.
Cut away a
part of a face before gluing to the background.
Change
proportions of a face or a figure by taking slices out of the image.
Alter the
silhouette of a figure, a building, an animal.
Cut or tear
a large image into horizontal ribbons or strips.
Cut or tear
a large image into vertical ribbons or strips.
Distort
perspective by using photos of different points of view together.
Cut out a
Silhouette from a larger image.
Rorschach
or reversed design cut out of an image before gluing down.
Lay
transparent colored tissue layers over each other and over parts of image.
Wrinkled
plain papers and thin or tissue papers can add texture.
The Above image and Writing are the Copyright © of Ruth Zachary
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